For many watching this movie, it will be deja vu. Two strangers meet while on vacation and a romance blooms but the vacation is too short for the romance to blossom into anything more than a brief romance. That often happens to men in military service who all too often must cut short the romance as their leaves expire. But that is not the case in this movie. In the end the man has a choice. He has a job waiting for him back in the US and he is faced with a choice - either chuck the job and stay with the woman that he is becoming infatuated with - or return to the US and leave the romance.Every viewer will make their own choice. Leonaro Varelo plays a vivacious charming and sophisticated young woman apparently of some affluence who many men would give their right arm to have as a wife. To meet her on vacation is like having one's wildest dream come true. But it is unlikely that she will leave Spain if she marries the man and what is the man to do who cannot speak Spanish The movie is in a nice setting, reminiscent of Hemingway, in Pampona, Spain, just at the time of the big festival and the running of the bulls. We witness a bull fight which is presented in a way that gives most viewers unfamiliar with bull fights, the essence of bull fighting, if not any expertise in it. And there are some beautiful scenes of the country side.Dennis Hopper plays an ugly role in this movie and the movie would have been a better movie without him. It was his role and excessive vulgarity and sex that kept me from giving it more than a 5. however, the background and the story make it interesting enough that I recommend it.

This is an awful failure of a film, one of the worst I have seen in a while. The acting is absolutely abysmal, the story-line a bore, the characters self-absorbed zeros I would never want to meet anywhere, not even at a garage sale. Don't waste your time or money. Let's face it: films about ugly, ego-maniacal young Americans in Pamplona are a wasted effort. The story, told eons ago, doesn't bear repeating. Hemingway did it already, and he did it in a masterful way that the script writer for this film can never hope to match. This film might have been passably interesting had the story been about a critical juncture, occurring somewhere other than a stereotypically red and white bedecked Pamplona, in which the protagonist has to face real dilemmas far more profound than the tawdry "finding one's self" bromide tendered here. A DVD worth labeling and tossing as GARBAGE.

Writer/Director Kevin Noland's debut feature, Americano, starts out large and loud, with a birds-eye view of a Spanish crowd packed into a plaza like conquistadors on a gold-bound ship. It is the annual Pamplona running of the bulls festival, and the anticipation and jubilation rise on the air in a celebration of the very Spanish tradition that culminates in a series of duels between matadors and their bull partners. Americano is rife with metaphor, utilizing both Spanish festival traditions and the surrounding land and cityscapes to hammer home the theme of finding oneself at the crux of a life changing moment.Joshua Jackson plays Chris, a twenty-something whose days at the festival are the last before returning to the States for a career in a possibly lucrative, but soul-deadening office. With his two friends Ryan (Timm Sharp) and Michelle (Ruthanna Hopper) in tow, the three are in high festival mood when Chris' backpack is stolen. Suddenly, the future looks even closer, and Chris begins having doubts about going back to the States. Here, I feel alive he writes in his journal, as he participates in the mad dash running of the bulls, escaping into the stadium where the bright sunshine overwhelms Chris in his ecstasy (no matter that the film was overexposed for that particular scene...the sentiment is there).At a curious ex-pat bar owned and operated by an eccentric (Dennis Hopper) who shouts bizarre and cryptic sayings like "Be very wary of the con...the Ameri-con...Americano!", Chris meets the vivacious Adela (Leonor Varela), a beautiful actress who takes to his plight and invites them all to her villa, set in the wide sweeping vista of an Iberian paradise. Here Chris really takes to heart his impending future and begins to question what he wants out of life. His friends too, begin to see cracks in their own self-built wall of security, and suddenly their lives have become a bit more complicated.If the plot sounds hazy and indistinct, that's because it is, but not to its detriment. While a bit more structure might be helpful to create a sense of the whole, Americano dwells not on the outward events, but on the inward spirit and thought of its characters. Using Hemmingway's The Sun Also Rises as Chris' guidebook and the film's thematic conceit, Kevin Noland displays no urgency in presenting his vision of the anxieties and enthusiasm of young adulthood, its trials, its secrets, and its ambivalence. We aren't given easy answers, but the questions posed are introspective, to be taken in softly and quietly, with a sincerity of expectation for seeking out what's right and real and true.In the end, Americano is a finely tuned, though technically flawed in some respects, film with fine performances from Joshua Jackson and Dennis Hopper, though the revelation is Leonor Varela, who injects her character with a sense of the sublime, an earthy angel with a taste for the dangerous and exotic, but not without a sense of home. Timm Sharp supplies some good comedic moments, and though understated and slightly old for the part, Ruthanna Hopper shows she's a capable actress. Noland's direction is subtle. The film suffers from a few technical problems, including poor ADR sync and a few scenes where footage appears overexposed. However, these should not be cause to miss a wonderful debut from an ambitious and talented writer and director.

AMERICANO is the story of three Americans spending their last "free" days traveling in Europe. They only have a few more days before they return to the States to start their jobs, pay their debts, and enter the "real world". Reminiscent of THE MOTORCYCLE DIARIES and THE PUFFY CHAIR, AMERICANO is about discovering the individual. Chris (McKinley) has a good job lined up but is reticent about returning after meeting the enigmatic Riccardo and beautiful Adella. Ryan and Michelle inspect the depths of their relationship. With a beautiful score, the film puts us into the running of the bulls in Pamplona. Chris and Ryan and filled with excitement and anticipation; Chris is inspired by Hemingway, ready to jot this adventure down in his journal. Fate appears in the form of the disappearance of his backpack, and now his plans start to fall apart. Upon meeting the local Adella and being urged to live his life, not the on expected by him, by Riccardo, Chris begins not only a pursuit of Adella but of his own soul and character. Ryan and Michelle, as they begin to near their return to the real world, begin to question their own lives together and what is real vs. simple contentment. The music is extraordinary. While it is a little tough to believe these actors are post-college age, the acting is top-notch for an indie film. The romantic scenes between Chris and Adella are exquisite.