Just before 6 P.M. halfway between Los Angeles and San Diego, terrorists arrive by parachute at the San Juan Nuclear Plant. Security is not quite up to standard--one guy has to look at the manual. Several people die, including at least one cop who happens to be outside. His partner survives and will soon play a critical role in stopping this incident. It's not long before the terrorists arrive in the control room, and then anything is possible. The man in charge of the control room tries to persuade the terrorists not to do what he thinks they will do, and of course they need him, so he will be around.A Fox news anchor appears on TV and explains what has happened, and soon an evacuation is ordered within a 5-mile radius. It's not enough, but you try getting 25 million people away from the next Chernobyl. The freeways end up as parking lots as it is, and people are already panicking, even as people on TV try to assure the public everything is going to be all right. Well, everything is not going to be all right. Depending on what the terrorists decide to do, the death toll could be equal to Hiroshima, or worse. That's not counting maybe a million people who will die later. But we can't tell the public this. Homeland Chief Utley lies like a politician making sure the public feels reassured, when they have no reason to be.The President is on his way back to the U.S., while the VP is in a bunker. Officials at the White House seem to know what they are doing, but do they really? Homeland Security declares a red threat level for the first time in its existence. The world soon takes notice of this incident, and there is panic and looting, though we don't really see that, or the traffic jams. There is what appears to be stock footage (not made for the movie, in other words) on the newscast, representing what is really happening out there. Experts give their opinions.The terrorists have accents and the head guy known as Khalid quotes the Qu'ran. But they don't really seem to do anything. What if it is all just a warning? And what is it a warning about? Maybe all they are doing is showing how lax security is at a nuclear plant even after 9-11.Investigators on the outside have to find out details, and if you know something, you'd better tell them. They're not kidding around. Meanwhile, nuclear attacks on the Middle East are being considered.This is not just your ordinary action/thriller. We are kept guessing constantly about what might happen. We mainly see what is essential, and details of the lives of those affected are pretty much left out. There are no background stories unless we need to hear them. Editing is rapid fire and if we have seen all we need to see, the action quickly switches to something else. For example, Mika is the reporter on the scene. In her first report, we spend more time watching her put on makeup than seeing what she actually has to say. We pretty much know, so that's not essential.Camera work is quite unusual. Different angles in the same scene might be black and white while others are color. At first I thought the black and white was security footage, but most of the time the cameras are moving--mostly shaking. It may be somewhat unsettling but it's effective. And of course I mentioned the editing.There is lots of good acting here. Bruce Greenwood is Tom Shea, the man in charge, who's not supposed to be but his superior is elsewhere and it will take time for him to get back. Shea was not happy with the results of the U.S.S. Cole attack and got himself demoted. But he knows what he's doing. Arnold Vosloo is the terrorist in charge. I'm going to guess that Manoj Sood is in charge of the control room, the man who desperately tries to keep the terrorists from doing anything harmful.And the standout performer is Leslie Hope, the cop who is nervous and in pain after being shot while wearing a vest (this saves your life but doesn't prevent pain). She tries really hard and finds some valuable information.Robert Kovacik, the dedicated news anchor, must cope with whatever comes his way. Live television has its problems, but he deals with them. He's so professional I figured he might be real, and the credits say he plays himself. Dagmar Midcap as the reporter on the scene lacks personality and doesn't seem much like a real journalist, but that's just because of the current state of journalism, where cute babes seem to matter more than hard news. She's attractive and gets the information across.Two experts are listed in the credits as themselves. Dr. Jim Walsh seems quite nervous, which doesn't inspire confidence, but I guess there is realism there. David Rapoport comes across as calmer and more professional.One thing bothered me about the news coverage. At times the entire screen is filled, with the anchor in the middle, graphics, and a crawl at the bottom, as if we are seeing what people actually see on TV. When people are being interviewed, a lot of that information goes away. That's not a big deal, I guess, because we're not actually watching the newscast, but it would have been more effective to show the TV screen exactly as others might have seen it.It's a worthy effort with some important lessons about what this country's most vulnerable sites ought to be doing.

Greenwood is a good actor with excellent screen presence, and this role gives him a chance to shine. Although the movie has some crudities and unlikely minor plot devices it also has numerous strengths, best of which is displaying the government being capable of saying and doing most anything not just in a crisis but as a way of life. A 2004 movie based on what's happened since 9/11, the numerous government responses and actions and general thinking-out-loud deliberations are all too believable. This is not just background to a story of terrorists taking over a nuclear power plant, but actually becomes the story. Recommended, but this is definitely not a feel-good action movie. It takes you places you really don't want to go, but it leaves you with a lot to think about.

I was anticipating the premiere of Meltdown after I saw billboards for its release two weeks prior and I must say that it did not disappoint. In the beginning it appeared to be a typical terrorist flick depicting Arab speaking people or fundamentalist Muslims as those invoking the terror-as if others do not commit heinous acts in the name of religion.However, the movie took an interesting turn when it was revealed that terrorists that had taken over and were currently occupying the San Juan Nuclear Power Facility were not in fact Muslims or even Arabs for that matter. They were very much American, highly decorated American commandos to be exact. What follows is a series of events proving that those enshrined with our security are often the first sent off to be slaughtered.It was also interesting that every point of the movie which could be related in real life (news anchors, the name of the power plant) were intentionally fictionalized, whereas in other situations actual news anchors from various stations are used. Too close to home? Too real? Perhaps, only time will tell.

*some information on the film but no spoilers*I have to admit, I'm not a big fan of TV movies. Namely, because often the story lines are ridiculous and the characters (and dialogue) are clichéd. I gave up on watching TV movies from start to finish years ago simply because it wasn't worth the time spent. Occasionally, though, I would sneak a peek at a segment (i.e. I saw a piece from "10.5") which would cause me to shudder and change the station.That being said, it was an unusual occurrence when I sat down specifically to watch "Meltdown." I had seen the previews and it looked like an interesting topic (but that can be deceptive). The primary reason for me watching it was that it was on FX. ("The Shield" has reborn my interest in TV series.)In any event, I still was not anticipating too much from "Meltdown." I expected the requisite lame plot-points, acting, and effects common on most TV movies. Needless to say, I am happy to report that "Meltdown" was a pleasant surprise.Probably the strongest factor in the movie's favor is its smart directing and editing. The editing is quick enough to keep the pace moving. The movie never lags. Once a scene is established, it fades to black and the next scene begins. Sometimes these scenes are very short, giving us the gist of what's going on, and then moving on. In this effective way, the director alerts the audience to the main events in the plot without laboring over the needless details. (For example, in an early scene, an officer drags an injured person from one area to another. Instead of wasting time showing the entire length of the drag, we see her begin the drag, then the scene fades and reappears with them in a new area.) This technique is consistently used to good effect.In short, the plot concerns a group of terrorists who take over the San Juan nuclear power plant. The FBI, national guard, and police arrive and fear a potential meltdown, which would devastate the area and kill hundreds of thousands.The characters are written well, and there's no cheesy romance or sideplots.Bruce Greenwood plays the main character, a senior agent in the FBI. Thankfully, he doesn't spout off any lame one-liners or pull any Bruce Willis action stunts.The entire scenario of a potential nuclear meltdown is played realistically and in today's climate. The setting is the modern world: 9/11 has happened, there's a Department of Homeland Security, etc. There are no insane heroics. It's almost as if watching a documentary. There are even constant national news broadcasts.I'm happy to report that while some may be able to predict the general outcome of the movie, many plot-points leading up to the end throw twists into the system. For instance, about 3/4 of the way through the movie an unexpected event occurs which actually made me spurt "OH ****." aloud; I don't think I've ever done that before to something on TV.This film does not follow any established formula for action movies. Indeed, it's not even an action film. If you're expecting special effects, look elsewhere. "Meltdown" is a case study as to how the government could realistically respond in a moment of crisis. It has some flaws that go along with a modest budget, but thankfully this is minimal (since it doesn't blow its money on effects). "Meltdown" keeps you interested and thinking throughout, which is as much as you can ask from a TV movie.8/10