I really don't think it's a spoiler to tell you this is a fake documentary; it's painfully obvious in the very first lines of the horribly acted script.This movie reminds me of people like Kim Wayans, people who can't sing but thinks they can so they do parodies of actual artists. These people are unable to create original content themselves so attempt to do satirical humor but they just aren't funny. That perfectly describes the creators of this abysmal mess.Skip this and go watch a good mockumentary like 'Best of Show' or the hilarious classic 'Waiting for Guffman.'

In "Network," his frighteningly prescient satire from 1976, writer Paddy Chayefsky only half-jokingly envisioned a day, in the then-not-too-distant future, when some innovative producer, knowing exactly what kind of programming the viewing public wanted to see, would create a series in which each week a different person would be assassinated on live TV - all to boffo ratings. Well, thirty-some-odd-years later, that day may have finally arrived, at least if "American Cannibal: The Road to Reality" is to be believed. This is a documentary that appears on the surface to be "straight" but which, one can only hope (and one frankly suspects), is actually a put-on. And if the movie ISN'T a put-on, then society may be more far gone than even the most pessimistic social critics have hitherto allowed themselves to imagine.Nowhere in the movie do the filmmakers tip their hat as to whether this is a "real" documentary or simply a cleverly disguised facsimile of one. Each viewer is left to make that determination for himself. The film certainly SEEMS real as directors Perry Grebin and Michael Nigro initially set out to follow two struggling writers, Gil Ripley and Dave Roberts, as they pitch their ideas for "reality shows" to various producers on both coasts. Almost as a joke, one of the writers throws out the concept of a "Survivor"-type scenario in which a group of people are placed on an island where they are deprived of all food and, for all practical purposes, starved to death. And, oh yes, that island is the one place on the planet where cannibalism is reportedly still legal (one of the more far-fetched propositions that suggests that this may perhaps be tongue-in-cheek). It is this pitch that ultimately gets "green-lighted" by a producer, and much of the movie is devoted to showing just how a show like "The Ultimate Ultimate Challenge" travels the route from concept to completion (though, of course, in this case, the series never quite made it to the final stages).A great deal of debate has arisen over whether those who made "American Cannibal" are documenting true events or whether they are just very effectively jerking our collective chain. Regardless of which of those two possibilities is the "truth," the movie makes some valid points about just how far viewers may be willing to go in their pursuit of entertainment. The movie also makes us question whether Ripley and Roberts - and those like them - are actually "pimps" or "whores" in their stop-at-nothing quest for the almighty buck. Grebin and Nigro interview many key players in the world of entertainment, and unless they are all in on the joke or are great actors in their own right, one begins to wonder if maybe this whole thing might just possibly be on the up-and-up after all. And if it isn't - if it really is all just an elaborate put-on - then the filmmakers may, in fact, be using their movie to dramatize just how fine the line is separating the world of fiction from the world of fact, even on so-called "Reality TV." In other words, their own movie may be both the "ultimate" reality show product and a stinging indictment of reality entertainment at one and the same time. Is this truly a case of the medium being the message? Either way, the movie is fun to watch and provides, at the very least, an acerbic insider's glimpse into how ideas are pitched and hit shows are born."American Cannibal" will fascinate some and frustrate others, but regardless of your response to it, you will have to admit that this is that rare movie where "truth" is pretty much left to the eye-of-the-beholder.Just don't take it personally if you ultimately find that you've been made the butt of some colossal joke.

This documentary was definitely one that held my attention from the beginning to the end. There was a good balance of intense and comic moments to hold my interest. The people featured in the doc were also a good choice since I found the chemistry between the two writers very entertaining and then there is Kevin Blatt who you love to hate. American Cannibal is a revealing look into our Reality Television obsessed culture and just how far some people are willing to go for their fifteen minutes of fame. It is great for people who watch reality television but also has value for those who have never tuned into an episode of survivor. The events and points made by this documentary are ones that are not easily forgotten.

Of the 12 films I saw at The Provincetown Film Festival (known for always having a strong slate of gay and lesbian films) American Cannibal (neither gay nor lesbian) was without question the most cutting edge, the most provocative and the best money I spent at the festival.The film focuses on two writers who get caught up in pitching a reality TV show to the pornographer who is behind the Paris Hilton Sex tape... The writers are so lovable and so human and, like many of us, have to take a job for the money. The consequences are sad and shocking. It's been five days since I saw it in our tiny little p-town theater and I cannot stop thinking about it. Like great works of art this film has stayed with me, this film inspired me, this film is one that I've been telling everyone about. Fabulous entertainment. It plays as a historical document of what is going on in popular entertainment. American Cannibal... We are eating ourselves to be entertained.