The (few) negative reviewers here seem to have suffered from something of a 'But what's it for?' syndrome. It's understandable - the concept of this film is deeply odd.But for those who get over trying to puzzle out the rationale and concentrate on the result, it's a very enjoyable one. What this film IS, is what counts: WW2 newsreel footage is interesting to watch. So are clips from war movies. Good covers of Beatles songs by competent artists are interesting to listen to. But none of these, by itself, would be likely to sustain a viewer's attention for 88 minutes. So they stuck 'em all together, edited it to add a little continuity and connection between timeline, subject matter and lyrics, and made this film.For the majority, it seems to work strangely well. If any element flags, the others carry you along, and the gestalt somehow manages to be didactic, amusing and entertaining by turns.I first saw this in Cinerama back in the '70s, in a state of non-ordinary reality. It blew me away. I ran around for a few days assembling a group of like-minded friends, and we all got lightly toasted and went to see it the next week. Some clot in the projection booth screwed up most of the sound system, leaving what appeared to be an effects channel, a rear speaker producing newsreel mono, and only leakage music. The result was terrible. My chums were looking at me quizzically and equating my taste in entertainment with a haemorrhoid.Happily, the projection-room clot woke up sometime around the Battle of Midway and Elton's 'Lucy in the Sky', and the rest of the film played with all six channels as intended. My reputation was saved, but I still wanted to see the whole thing again, properly. Alas, the film was off by the next week. I'd love to see it again.But the experience has made me nervous about buying this film from specialist DVD sellers, in case the sound has been mixed or cut down. This film is an AUDIO-visual experience, and without the multi-channel sound it's a lesser thing. I know. I was that haemorrhoid.CD

It's a fantastic film. I had the chance of listening to the music, first and the I went o see the movie and both experiences were great, something that I'd really like to repeat sometime again. I strongly recommend it. The atmosphere created by the director and the songs are really well matched with the II World War scenario. May be I got stuck on the music, because the performers are really great, just to name a few: Rod Stewart, Leo Sayer, Jeff Lynne, Elton John, Ambrosia, The Bee Gees, Keith Moon, Richard Cocciante, and the London Symphony Orchestra, it's really great! Maybe now the film is available on DVD, is it? And I'd be very pleased if you could tell me: Where can I get the soundtrack on CD? Sincerely, Álvaro

Mind-imploding cinematic disaster from Twentieth-Century Fox pairs archival World War II footage and Fox films from (primarily) the same period along with "choice" Beatles covers. It's sort of like THAT'S ENTERTAINMENT! gone terribly wrong. Did people think that this film would have some sort of educational purpose? Maybe a Fox executive thought this would fill in the void for Beatles fans desperate for the band to reunite? Some of the stock footage is quite interesting, like Japanese-American owned businesses disguising their ethnicity and footage of James Stewart enlisting. So too is a look at some of the fictitious films Fox made in response to the war (in one clip, a woman hears news of Pearl Harbor on the radio and says, "Oh, it must be Orson Welles!"). But most of the music is pretty awful, and cuing "The Fool on the Hill" and "Nowhere Man" with Hitler and Mussolini respectively can't take the place of a scholarly exploration of the subject.

All This and World War Two is essential Lennon and McCartney as recorded by other artists. Some interpretations and productions are next to brilliant. All this (and World War Two) is played on a backdrop of amazingly choreographed historical and artistic footage of the War in question. When can we see and hear this on disc in our own homes?