If there ever was a production that fit the definition, look and feel of a cult film then All About Lily Chou-Chou would be it. Filmed in Ashikaga in Tochigi Prefecture this film did well upon release in Japan in 2001, but it was the subsequent export, mystique and international fandom that have kept the ethereal film alive. There are many ways to describe 'Lily Chou-Chou Is Everything' (Riri Shushu No Subete in Japanese) and none of them would point to anything remotely mainstream or Hollywood-esque. It is a feel-bad movie that is nihilistic to the extreme, original and catches one off-guard and, independent of that depiction, there is a reasonable debate (in my mind anyway) as to whether it is good. The story revolves around the fanatics of the mythical artist Lily Chou-Chou whose art, to her fans and members of a website whose chat room message are integral and elucidating, is beyond anything merely terrestrial and is often described as embodying the 'ether.' Her fans live and breathe within the ether firstly because she is that sublime and secondly as an escape mechanism from the toll it takes to be a teenage high school student of fourteen in modern Japan. The students are perpetrators and victims of bullying, oppression, alienation, angst, prostitution, corruption and disregarded by a hopeless cadre of teachers and parents. Banish those images of Japan as an orderly and organized society with a disciplined and respectable school system. To be fair, however, whether anyone - including myself - really 'gets' this film is another matter. It comes across as lifelike, and partly due to the documentary-style camera-work which is most observable in the Okinawa and kendo sequences, but it is deliberately cryptic, open to interpretation and even ends without something as definite as one is expecting - perhaps as a nod to life in modern society in general. Incidentally, the travel to Okinawa, and its aftermath, is the most unrealistic. The money may have been procured through ill-begotten means, but what about the time, opportunity and parental permissions? Would one subsequently change so drastically? As if there was not enough confusion the film incorporates flashbacks. The pompous and simultaneously enlightening All About Lily Chou-Chou is filmed long and like a stream of consciousness and, if nothing else, will make one hate the younger generation and its enablers. I always thought striking imagery, penetrating story lines and intense music make for perfect films - think Blade Runner or Kill Bill or Lost in Translation - and this film has it all. The added element, however, is the extra disturbing content for which there is no preparation. On the flip side, All About Lily Chou-Chou's music is a success and laudable. With the film revolving around a recording artist it might be expected, but the alternative ambiance of Lily, as performed by the as-of-then unknown Salyu, is perfect for the concept of the 'ether' and for the suffocating world in which the anti-heroes live. While we are on the subject the film and Lily were inspired by Chinese singress Faye Wong. Lily/Salyu's Kaifuku No Kizu was included/mumbled in the film Kill Bill to boot. French composer Debussy's work is also prominently featured. Did I learn anything or know anything definitive from this film? Well, datsu or Needlefish is called Shijar in Okinawa. North is 'nishi,' east is 'agari,'south is 'fue' and west is iri.' Everything else is open to interpretation... On a good day Japan bewilders most people. All About Lily Chou-Chou out-bewilders the bewilderment.

With Debussy's masterpiece and some wonderful music, this film has surpassed the meaning of "movie", it's not just a entertainment anymore, instead, it has taken over a part of my whole life. If one really appreciates and ponders what this film really represents and the message the director trying to convey, then after watching this film will come a extremely feeling of the blues, which can make you feel down, even make you want to cry.This masterpiece is definitely worth watching. Every time I try to escape away from the reality, i'll watch this, because somehow, i can find myself through this.

All About Lily Chou-Chou is a movie that deals in teenaged alienation and admiration. Based around a fictional popstar named Lily Chou-Chou, the characters inhibit a sense of realism that makes the movie perfectly palatable to a bigger audience. However on a technical term, the movie brings together a number of creative methods. The emails (or messageboard) that are strewn throughout display a strong realisation of our admiration towards such media personas. It also explores the idolism we give out to people that influence and connect with us through an art form, which in this case is music.Some of the scenes can be confusing as there is not too much coherence throughout the movie in terms of a plot line however we see scenes of suburban torment, beautiful acres of green fields that are superbly shot and long shots of beaches and the sea. Also contained in the movie is two opposing sides of teenaged life; care-free fun and angst-filled isolation. The story of Kuno is a sad one, we see her raped and see her head shaven which ends up leading to her death. We also see classroom violence which may very well be exaggerated for melancholic effect but definitely has a profound influence on the viewer.A lot of things about this movie make it an interesting watch but my only concern with it is that maybe it's too long. Due to the 146 or so minute runtime, there are times where I felt parts could be cut down. The padding out the director has took with the movie does take away from the enjoyment of it and perhaps with a little more editing, I would find the movie more engrossing. However, the film does generate a good amount of interesting scenes and relatable characters which doesn't make the movie a chore to watch. Nothing here is challenging except for the overkilled duration. But with the right state of mind, one may enjoy the floating camera shots of urban and rural Japan.

All About Lily Chou-Chou is possibly the hardest film to write a review about. Shunji Iwai has made a killer film here, but it's quite emotionally challenging to sit through. But, maybe that's because I'm a big softie at heart. The first film to be filmed with a digital camera? Can it really be that good? Yes, yes it can. Welcome to the new world of film-making.The film follows Yûichi Hasumi (Hayato Ichihara), a teenager who slowly gets sucked into a local gang of teenagers. However, the heart of the film is about his taste in music. Lily Chou-Chou, his idol, was born exactly after John Lennon was shot dead. Her fans believe she is high on the 'Ether', a substance supposedly everywhere, it holds spiritual value, but there is no scientific evidence to prove it's there. This helps her write the songs she does. Yûichi runs a website for her fans, in the form of a BBS where they can share their love for her.Confused yet?While doing that, he's stealing, mugging and pimping for the local gang that he's stuck in. The gang leader is Shusuke Hoshino (Shûgo Oshinari) began as the class geek, but soon after his parents split up, he slowly turns into a psychotic bully. There's also Yôko Kuno (Ayumi Ito), an incredible pianist who is being bullied by a large group of classmates.It's all bound to get ugly, and it does. But I'll leave the specific details for when you sit down and watch the film. But the film itself doesn't appeal to everyone. The film is incredibly slow, so people watching just for the violence will possibly find this the most difficult film to watch. The best way to explain this film would be that it's just real life inside a DVD. It's like watching someone else's life, so expect some slow-paced action.But the film is beautiful, perhaps painfully beautiful. The film isn't the usual type, when you watch the film, it's not a film where you have a little cry because the film is sad. This film is distressing. Kunos scene at the warehouse is incredibly hard to watch, it's quite heart breaking. But also beautiful, with the sweetest piano music playing over the top. Painfully beautiful, although the scenes can be quite distressing, but it keeps the beauty all through the film.As I said, it's possibly the hardest film to write about.The music in the film is great, Lily Chou-Chous music could be described as a mix between Bjork and Thom Yorke. Her vocals soothe over the troubled scenes.Overall the film is a distressing look into life as a teenager. There are theories that the film is not about Japanese teenagers at all. Rather, its portrayal of extreme violence, honour and sub-ordinance, cruelty and beauty may be an examination of adult psychology. One of my favourite films of recent years, and sits in the number four spot of my Top Ten. I'd advise you to watch it. It's really very good, but only if you can sit through it.