The Argument that You can't Transfer Film-Noir to Modern Times is Weak at best. Talented Filmmakers have Done it Repeatedly and it Can Work. It has been Termed Neo-Noir. Of course, it is a Tricky Transformation and the result has Not always been Successful. There Are some Great Neo-Noirs out there, but this is Not One of them.Director Taylor Hackford said that He did not want to Remake "Out of the Past" (1947), So why did He? It's OK to imagine a Metamorphosis and tailor the Film to Current Sensibilities, Style, and so forth, but Here it Hurts and the Mediocre result is anything but effective.Somehow, the Core of Noir is Lost among the Steamy, Sweaty, Sex Scenes and the Sheen of 1980's crowd pleasing Fads. Music Video Styling and Shallow Representations of the Femme Fatale Fails to intrigue. The Crisp Noir Dialog featured in the Original falls flat and the Actors seem to be Struggling to Make This WorkOverall, Not a Bad Movie, it is Just Unremarkable. Jeff Bridges at His physical Peak of Manhood, seems a bit Whiny on Top of the Tan and Gym Tone and Rachel Ward is a Less than Great Actress and is almost Awful and here Shows No Range of Emotion. James Woods gives the Best Performance but for Him it is a notch Below His usual Show Stealing abilities. Richard Widmark Playing the reprehensible Money Man, a Rich Slime Bucket, is Fine, but again, about Average for His later day Movies.You Know the Movie is Struggling for attention when Just about Everyone Relates to the Film through a Pop Song. A Pop Song? Now that's Definitely Not Noir, in Any Era.

The film is a part remake of 'Out of the Past.' Jeff Bridges is a washed up football player Terry Brogan who to makes ends meet takes a job from a shady pal Jake Wise played by James Woods who seems to be involved in some kind of illegal bet fixing. His girlfriend Jessie Wyler played by a sultry Rachel Ward shot him and ran away with some money to Mexico and wants Terry to track him down which he does hand ends up with a steamy relationship with her instead.Now I am aware that 'Out of the Past' also had a convoluted plot in the film noir tradition. Here the the film comes across as confusing, silly and dull. It seems all of Brogan's former football coaches are involved in some dark deeds, one of them is even sent to wipe out Brogan. The side plot of his football team owners, associates and Brogan's own lawyer being involved in backstabbing him as well as some land development deal comes across as half baked.Still the film is well shot, Bridges and Ward make a sexy couple, Woods at the time was making himself a reputation as a bad guy and the end title song is very good but the film never lifts off.

Loosely based on a 1947 film noir, "Out of the Past," Taylor Hackford's "Against All Odds" has strong performances in all but the most critical role. Jessie, a confused disoriented heiress, is the romantic obsession of two men and the crux of the film's action. However, Rachel Ward fails to convince that Jessie could obsess anyone with her flat delivery and phoned-in performance. Jessie runs off to Mexico to snorkel and shop, and her gangster boyfriend hires an injured football player to find her. Sending a handsome hunky athlete off to find your girlfriend at the beach is not an inspired idea, and both the expected and the unexpected ensue. The twisted convoluted tale occasionally meanders, and the pacing falters at times. However, when the sweaty romantic scenes are over, the plot manages to re-energize and re-capture attention towards the fade out.Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.

Jeff Bridges plays an aging down on his luck footballer who is cut. Looking for work and money, he helps a friend in a shady proposition: tail his girlfriend. He follows her down to Mexico and finds her and of course falls for her. Her motives though are questionable and she heads back to LA and her boyfriend. Bridges follows her and tries to find answers and ends up in a bunch of danger.Best known for the title song by Phil Collins, the film has some good points going for it : Jeff Bridges and James Woods do good jobs acting and Rachel Ward is definitely simmering in this movie. The car chase scene is a classic but overall thats about it. The rest is your standard noir film without much more to recommend it