I would agree that it should be viewed simply as an action movie. I bought the special 4 disc set, and in the scene where the female Korean terrorist is fighting underwater, she abruptly kisses him just before being dragged through the screws of the ship. It made for an extremely strange scene since she had spent the rest of the film trying to kill him, however in the deleted scenes, there were scenes with them being filmed in a raft together. Somehow this ended up on the cutting room floor, leaving a somewhat disjointed storyline. See it, enjoy it as an action film, but don't expect much more- That being said, I will see it again one day, and I did enjoy it.

This movie,"AEGIS" contrasts dynamic and static scene very well. In dynamic part we can see powerful Aegis ship figure, thrilling fighter F2 aircraft, and main actor, Sanada's enthusiastic movements. In static part, on the other hand, we can insight real human heart, Sengoku's (Sanada) strong will to defend his ship and crews. Miyaji's(Terao) stubborn will to revenge his own nation in order to requiem his sun's death. Kisaragi's (Katsuchi) breakthrough mission with several dangers. These characters are beautifully described with their real heart, willingness, and objectives. These static human descriptions are well harmonized with dynamic scene. This movie questions us "Do you have something you want to protect in your life with the cost of your own life?" Further more, following questions can be derived from this movie. "What can you do if your country is facing some kind of danger" or "What is nation's ideology?" Thus this movie makes us re-think how lucky we are in peaceful world right now. At the same time this movie seems suggesting that we should live with something fulfill, meaningful and valuable. This movie is not really appearing political objectives itself, I guess, but rather sincere human heart. I recommend this movie not only for those who love self-defense (particularly, warship, aircraft lovers) but also for those who love real human.

I think that "EAGIS" is a wonderful movie. Certainly, I think that there is a person who feels that the action scene is not a little satisfactory compared with a general American movie. The adult with high age is appreciating deliberately in Japan. For the spectator who is accustomed to the animated cartoon and the SF action, it might be thought that power is a little. However, I think that this movie is not a movie from which only the action is requested. I think that I should deliberately see a wonderful acting of the four actors of whom Japan boasts. Four actors are Hiroyuki Sanada it, Satoshi Terao it, Koichi Sato, and Nakai Kiichi. Each actor also is winning Best Actor in a Leading Role by Japanese Academy Award. Especially, Hiroyuki Sanada of starring is performing a universal Japanese image as self-defense force official's middle-ranking managerial post. He does the excellent acting for which it appeals in feelings as man of the life-size in "EAGIS" though he is a very excellent as for "Corogen" of the period play of the action and Japan actor. I paid attention to Hiroyuki Sanada's acting, and was impressed by his individual dialog. I hope for a person who who is Japanese and all over the world for the dialog that he speaks to only have to be understood more. It expresses important feelings that seem to forget by the Japanese and become it very symbolically. Music is also beautiful. The person in charge of music is Mr. Trevor Jones. The world of "AEGIS" is threefold doubly expressed deep. I hope "AEGIS" makes it open to the public in a country all over the world.

I saw this movie in Tokyo in one of the pre-showing events. It is such a huge-theme, carefully constructed movie that needs probably a few more times of viewing to fully digest for me, but my first reaction at the end of the movie was "oh, don't stop, I want to keep watching!"There are many characters in this movie, each with a complicated background and reasons for his/her own acts. Instead of explaining all of them in detail, the movie uses "flashbacks" to imply these past facts. I enjoyed that method, but that requires a lot of imagination, and some people would never get it. Without the depth of these characters, the movie may look just confusing and/or flat. I read some negative reviews about this movie both by Japanese fans and US media, and I thought many of them stumbled on this point.The acting of all the actors were excellent, especially the main character Sengoku, played by Hiroyuki Sanada ("The Last Samurai", "The Twilight Samurai"). He made the transition of this middle-aged petty officer into a super hero so convincing. Akira Terao made me cry so much especially at the end. Kiichi Nakai was charmingly scary, Koichi Sato was stylish, and the young Ryo Katsuji was so sharp.I admit the technique used in this movie is not totally familiar with the US audience, who are used to watch easy-to-digest fast-food Hollywood movies. And I admit I felt some weaknesses myself - special effect was not perfect, some story lines are not convincing enough, especially the reasoning of the "traitors". But I could feel the passion of the people who made this movie, including the people at Japanese Self Defence Forces who gave the full-support to the movie shooting, and from the mid-point of the movie, I kept crying till the end. I was simply enjoying watching each scenes and excellent actors and did not want to stop watching.I hope it will be available for international fans as well to enjoy. It is the movie for grown-ups.