Handsome George Montgomery gets to show off his impressive torso in this Capra like comedy where, as the useless son-in-law of slumlord Thurstan Hall, he discovers the real meaning of being useful. Bored in his marriage to the spoiled Cobina Wright, he escapes from being her slave and finds work digging ditches, getting an instant home thanks to Portuguese immigrant J. Carrol Naish and Naish's lovely Lithuanian neighbor, Osa Massen. Getting to know these basically happy go lucky new Americans (who believe him to be an undocumented immigrant), Montgomery learns what kinds of inconveniences they live with thanks to his father-in-law's extremely high rents, bad plumbing and crumbling ceilings. Going along with their misconception, Montgomery decides to use his time away from his wife and father-in-law/boss to make some changes and basically blackmails Hall into spending the night in Naish's home to see how his ruthlessness impacts the common man.Hollywood had their own misconception of the so-called happy immigrant, typecasting them as cheery and unselfish, patriotic and proud. Natural born Americans became the villains, especially the powerful upper class, and Hall is both funny and commanding as the imperious T.J. Triton. Of course, the two leads fall in love, and when Montgomery's identity is exposed, the obvious feeling of betrayal. But it's amusing to watch the Italian accented Naish (doing a Chico Marxx impression), his earthy wife Minerva Urecal and their tough-talking Bowery Boy like son Stanley Clements as the typical immigrant family unit. Clements is hysterically funny as he takes on both Montgomery and Hall as roommates, threatening them in hysterical ways if he discovers that they snore. I didn't find that Montgomery and Massen had much chemistry, but anything would be better for Montgomery than the snooty and selfish snob that Wright plays. She doesn't even get a good comeuppance for her narcissistic demeanor even though Hall gives it his best shot to bring her down a peg or two. Naish makes fun of the fact that he's Portuguese with a stereotypical Italian accent, and Urecal as always is completely lovable. Some very funny sequences make the predictability amusing, especially when Montgomery puts Hall into tramp's clothing and covers him in muck to make him appear like a bum. As a film coming out as America prepared to enter the war, this is a feel good flag waver of what it's like for freedom seekers to find a new homeland and be proud to be settling to where they can achieve dreams that seemed impossible in their own birth places.

Wow...this film sure lays it on thick...too thick. "Accent on Love" is an odd little curio from the late Depression and it's a homage to the New Deal--and it's not exactly subtle in its style or writing. Today I think most people will just be baffled by it--as the script is VERY, VERY contrived and, well,...bizarre. It also seems like preachy propaganda for the 1940s democratic-socialist ideals espoused by the Roosevelt administration! George Montgomery plays a disaffected vice-president of a corporation. He's married to the boss' daughter and should be happy. However, he isn't and wants more from life...though he's not sure what. One day, he's walking down the street and sees a group of men who work for the WPA (a New Deal program to get men to work doing public works projects). On a lark, he tries to join them but is rejected--after all, he's rich and doesn't need the work. But, after showing up to work and being willing to do it without pay, he's taken on in the ditch-digging crew.The boss of this crew is played a J. Carroll Naish. Naish plays the most ridiculously stereotypical sort of character--a guy who regularly writes to the President, preaches about democracy and the common man and a dyed in the wool lover of the New Deal. Frankly, he came off as completely silly and unbelievable--sort of like a non-funny version of Chico Marx.One of Naish's family friends is a pretty young lady, Osa Massen. It's obvious that she and Montgomery will soon fall in love. This is odd, as he already is married and a married man carrying on with another woman is something generally frowned upon by the Production Code governing what is and is not acceptable in movies. This also severely hampers the romance written into the film--after all, a guy cheating on his wife isn't exactly a romantic theme!!So what's to like about this film? Well, Thurston Hall is wonderful as a blustering plutocrat. However, aside from that the script is 100% contrived and ridiculous and as a result, not a minute of this film is believable. It is an odd little window into the era and is like a textbook example of the New Deal ideals---but textbooks are NOT real life and this film is as far removed from reality as you can get. Contrived and stupid despite a few decent performances.By the way, do NOT assume I am completely averse to social cause movies or films espousing 1940s populism--I just think they need to be good!! In fact, one of the very best films of the decade is the wonderful "Devil and Miss Jones". It tackles the same material but does it exceptionally well due to COMPETENT writing. It's amazing how two films with the same theme can be so different.

If you read some of the short summaries of this film, it sounds like it could be a bit heavy and our hero could be a bit unlikable. Nothing could be further from the truth. This hour long film is basically sweetness and light, although of a different variety than you normally see of this era. It's a celebration of the immigrant experience and embodies an optimism that was finally emerging after 11 long years of the Great Depression. A "poor but pedigreed" young man (George Montgomery as John Hyndman) marries the spoiled daughter (Cobina Wright as Linda) of a wealthy industrialist (Thurston Hall as T.J. Triton). He's unhappy with his un-job as first vice-president (translation - yes man) at his father-in-law's company. He's unhappy with his un-marriage - his wife thinks of him as part trophy and part Pekinese. He wants out of both. Request denied.So one day John just disappears into the poor and heavily immigrant occupied part of New York. He runs across a group of men shoveling and decides he would like to do some real work for a change and asks for a job digging too. Believe it or not, his admirable goal is met with some resistance. However with some cleverness and persistence on his part and some encouragement on the part of an attractive young immigrant passerby (Osa Massen as Osa) he gets the job, and he discovers he does indeed like hard work. He becomes friends with and the boarder of his boss Manuel (J. Carroll Naish) and a romance grows between himself and Osa. He learns from the other tenants in the apartment house in which he lives that the place is falling apart - bad plumbing, ceiling plaster falling off, peeling paint, insufficient lighting. But there is one thing they get in abundance from the landlord - continuous rent hikes. The skinflint landlord is - you guessed it - John's father-in-law T.J. Triton. The tenants then come to John and ask him to talk to Triton about the living conditions in his buildings. Remember, nobody here knows who John really is. They think he was a homeless immigrant when they found him who desperately needed a job. So how does John approach this? He's been missing for six weeks from a wife that doesn't mind if he stays lost but has already told him there will be no divorce since that would make her the laughing stock of "her crowd". Watch and find out. I think you'll be entertained. Special recognition needs to go to J. Carroll Naish as bigger than life immigrant supervisor Manuel. He's proud of his new country and keeps a picture of FDR prominently displayed in his flat - he even writes to the President once a month. That may seem a bit over the top in 2011, but it works well to underscore the spirit of the immigrants portrayed in this film at a time when hard work was respected and fair play by both rich and poor was still expected.

An unbelievably bad film.Though not labeled as a comedy, this is slapstick drama. And I use the term "drama" advisedly.As an FDR period class envy prop piece, it couldn't be more adverse to the cause if it had tried. The lead character - a rich man who saw the light - uses 3rd grade leverage to achieve his ends after being enlightened by the down-trodden masses. That is, he threatens to embarrass his nemesis by organizing tenants to clamor about high rent if said enemy does not capitulate to his "demands". What? From pulling cops noses to wiping coal dust on his apartment owners shirt (that to make him like the common working stiff) this film will keep you laughing . . . . . unintentionally.Still, a laugh is a laugh.