this is the reality of life, this movie prove to us or to anyone who's been working for a long time to those people that she doesn't even relatives, and how long that she gave her entire life for them, many of people like her, the actress and actor of this movie are very compatible, from the old woman who raise her not own son and to the man who grow with full of discipline and cannot leave the woman who raise him for a long time,i've barely touch how Andy lau and Deannie Yip act so good in this movie, if you have not seen this movie, you should have! watch now (y)

This is a simple film - two main characters with no blood relation and yet deeply connected to each other - and presumably made with a modest budget. It is slow, and arguably a tad long (but I am OK with it), but as the story evolves I begin to care about them.As a film it is a great antidote to the sex, violence, intriguing plots, and CGI (I must admit I like some of those too) that we are so used to on the big screen these days. Director Ann Hui indicated the story was inspired by true events and I believe her. What makes this story unique is we are looking at love, respect and a feeling of duty and obligation between two human beings as if they were mother and son - but they are not. Instead, what started out as a servant-master relationship transcended itself to become something more sublime when the care-giver became incapacitated and the table was turned. When this happened the roles were reversed and yet it happened in such an unforced, natural and leisurely fashion.There are tear-jerking moments, of course, but they came in such an unpretentious manner. The ending is as you would expect when age and illness took their toll on Tao Jie, played by Deannie Yip. And yet, I finished watching the film feeling uplifted, and with a strong sense of hope on humanity.

I seriously do not know why it took this movie so long to be in the cinemas. It is one of the defining works of the year and essentially a simple movie about simple and unexplored characters of Hong Kong people. Ms Ann Hui is truly at her very best once again. After winning awards for The Way We Were, Hui strikes the cord to the highest potential by casting Andy Lau and former box office queen of 80s Deanie Ip whose chemistry dates back to almost 23 years old in their last corroboration. It is truly a delight to sit through a movie like this and while this being one Hui's most accepted work to the general public; she never strays away from her principles and values. At its core, it is a film about human interactions, feelings, relationships and old age. One day, we will die and old age is a burning topic for the baby boomer's generation.Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience…Neo rates it 9/10www.thehkneo.com

Those who have watched "The way we are" (2008) will know exactly what to expect from today's Ann Hui – films that are delightfully free of sappy melodrama. In that film we share the ordinary, everyday life of several sibling-linked families, some more affluent but not really rich, others less fortunate but not quite on poverty line. There is no manipulation of the audience's emotions, but towards the end, there is one scene in which the affluent uncle (played beautifully by KO Chi-shum), hitherto quite typically no-nonsense business-like (although there is no sign of his looking down on poor relatives), matter-of-factly said to his bright sister-son something to the effect of "Don't worry if your exam results are not good enough to get you into university here. We (he and another uncle) will finance your university education abroad. That's the least we can do to reciprocate how your mother looked after us when we were small". The very casual way he said this is enough to bring a lump to your throat."A simple life" rings true in the same way – genuine emotion does not need melodramatic manipulation.As the last of a trilogy loosely, thematically linked ("my model of experimentation", said director Ann Hui) with the aforementioned and "The post-modern life of my aunt" (2006), "A simple life" is based on producer Roger Lee's true story with domestic maid Tao who had been part of his life from day one, and became a default mother when his entire family emigrated to the US. In the film, Deannie Yip and Andy Lau are pitch-perfect as Tao and Roger, drawing from their numerous previous screen corroborations as mother and son. In an interview with Time Out, Hong Kong, director Ann Hui also intimated that on the process of aging, she has deep personal experience with her own mother. In the film, Roger took Tao to a premiere of a film he produced, but Hui said she had second thoughts about doing the same with her mother, fearing that the reaction might be "Are you giving me hints? (about putting her in an old folks' home)" Starting with Tao going to an old folks' home and ending at her natural death at old age, the simple story is simply told, with surprisingly gentle humour. Through inevitable vicissitudes, human goodness and compassion surface. There are some eccentric characters and flawed human nature to various degrees, but no real villains. As in "The way we are" the warmth that brims over always brings a lump to your throat, such as Tao at the old folks' home receiving a call from Roger and friends at a card game, thinking of her – middle-aged men that she had know since they were little kids."A simple life" is a film that is true to life. An added bonus to local viewers is a delightful proliferation of cameos from household names in the Hong Kong cinematic scene.