Adrian Noble created cinematic greatness with his take on William Shakespeare's A Midsummer Night's Dream. This 1996 version brought together Lindsay Duncan, Alex Jennings, and Kevin Doyle for a vibrant different take on a classic Shakespeare comedy. Different worlds are woven together in this delightful adaptation of the Bard's work.Theseus (Alex Jennings) is preparing for his marriage to Hippolyta (Lindsay Duncan). He is committed to finding the best amusement for the four-day festival. Simultaneously, deep in the woods live two very different groups of people. A band of fairies led by Oberon (Alex Jennings) and Titania (Lindsay Duncan) King and Queen of Fairies, respectfully lives in the woods and have been commissioned to bless the marriage of Theseus and Hippolyta. Then there is a group practicing a play that they hope to perform at the wedding affair. Traveling between the two worlds simultaneously was a brilliant decision by Noble and created a wonderful screen adaptation of Shakespeare's work. This film is so well done. The set design was fantastic, the colors were incredible, and the zany acting was amazing. I've been struggling trying to find a way to write this review in an unbiased fashion, but not finding a way to succeed. I felt changed by this film, much like my first experience with a David Lynch film. I also find the film a bit difficult to explain. The colors are incredible among so much else in the film. Please carve out some time for this film. You will not be disappointed.

This is a fantastic play.With the exception of Daniel Evans, who's strong Welsh accent becomes grating when reciting Shakespeare, so were the players.Congrats to RSC on keeping the original idea of each actor playing two characters.They could've easily gone the easy route.However, you lose all that in the presentation.The bright colors and bizarre props( bubbles,bicycles,umbrellas etc)distract from the actors.The whole thing has a very sixties acid trip vibe. Thumbs up for Barry Lynch. He made an excellent Puck.And Philostrate. I recommend the version with Stanley Tucci over this one, however. now they're saying I need at least ten lines which I thought I had but o well, I'll try to fix it.

I just love this film. I didn't see the stage version, but this is an extremely clever adaptation of the play: a nice parallel construction where the human court is pointed up by using the same actors as the fairy court, and Bottom's friends reappearing as his fairy attendants. Desmond Barrit is brilliantly characterised, and the Mechanicals very creatively presented as English working-class (for instance, Bottom on a motor-bike combination). And we're left with no doubts that he does have sex with Titania, and donkey's ears are not all he gets from the transformation! I think it's one of the hallmarks of good Shakespearian productions that it manages to make the humour genuinely funny, and the play-within-the-play combines slapstick with genuine pathos. Ultimately, it was a very moving production, whose end (despite my being fairly hard-bitten) brought tears to my eyes with its deep nostalgia and Englishness. You are sorry to leave the world of these characters.

Why this film is so underestimated? May be, because the same production looked better on the stage? Well, I've never seen it on the stage and am totally satisfied with the screen version. It is a wonderful mixture of a fair-tale dream and amusing comedy of characters and situations. The most startling thing about the film is the settings, which are colourful, imaginative, and picturesque, with magic lights. Costumes are also fascinating – artfully invented type of dressing for heroes of English boy's dream. I think that introduction of the boy is very clever and helpful in a film. The movie is beautiful and superbly performed. Alex Jennings and Lindsay Duncan act splendidly, and so does Finbar Lynch. But I especially like the love-quadrangle of Lysander-Hermia-Demetrius-Helena. Young actors are very spirited. Shakespearean text wasn't unnecessary edited and RSC actors speak it brilliantly. There is also a lot of fun. The production of that absurd Athenian troupe is just as ridiculous as it was meant to be, I think. I find plenty of things to enjoy about the movie; highly recommend it to everybody. P.S. Englishmen are extraordinary lucky to have the opportunity of enjoying RSC productions on the stage. What the rest of world would do without films?