A MAN CALLED SLEDGE is a US/Italian western featuring a starring role for TV actor James Garner. It very much feels like a US rather than a spaghetti western, and it has a notably dark and nihilistic streak that makes it worth a look for those who think they've seen everything the genre has to offer. Garner plays the usual sharpshooter who teams up with a few ne'er-do-wells (including character actors Claude Akins and Dennis Weaver) in order to rob a gold shipment that's heavily guarded.The most entertaining part of the movie is the midsection which sees Garner going undercover in prison in order to effect a breakout. There are some memorably kooky character creations here and oodles of suspense. The film gets grimmer and grimmer as it goes on, building to a climactic shoot-out which works well and fits the subject matter like a glove.

Ruthless outlaw Luther Sledge (a splendidly nasty performance by James Garner in a rare change-of-pace full-blooded villain role) and his band of thieves try to figure out a way to steal a fortune in gold that's stored in a prison fortress. Sledge concocts a bold plan to get said fortune, but can he and his men successfully pull off this daring caper? Director Vic Morrow, who also co-wrote the tight and hard-hitting script with Frank Kowalski, relates the absorbing story at a steady pace, delivers a vivid and credible evocation of the 18th century period setting, ably creates and maintains a resolutely tough, gritty, no-nonsense tone throughout, and stages the thrilling shoot-outs with real rip-snorting aplomb. The robbery itself is an expertly executed set piece: tense, gripping, and extremely exciting. This film really hits its stride with an especially dark and harsh last third in which Sledge's carefully thought out plan is undone by greed and treachery. The sturdy acting from the sound cast qualifies as another major asset, with stand-out contributions by Laura Antonelli as Sledge's loyal and worried main squeeze Ria, Dennis Weaver as the laid-back, pragmatic Erwin Ward, Claude Akins as the fierce, hot-tempered Hooker, John Marley as a wily and rascally old man, and Wayde Preston as the vengeful Sheriff Ripley. Luigi Kuveiller's sharp widescreen cinematography makes striking use of artful fades and elaborate dissolves. Gianni Ferrio's twangy'n'lively score does the rousing tuneful trick. The surprise downbeat ending packs a wickedly potent punch. A very good and gutsy movie.

"A Man Called Sledge" is unique among the spaghetti westerns I have seen so far because it is the only one directed by an American. Vic Morrow must have been a big fan of spaghetti westerns himself, because he really got it right. It must have been a lot of fun for an American director to go to Spain and Italy to shoot an authentic spaghetti western back when the genre was still being pumped out.I wasn't expecting much spaghetti style from this film because I knew it was by an American director with mainly American actors, but the movie really surprised me. It's nowhere near the very top of the spaghetti meter, but on the other hand you would never mistake this one for a Hollywood western. It's got Italian written all over it. The music score by Gianni Ferrio is quite good. A couple of parts sound a little too much like jazz for me, but most of it is well-suited for the genre, especially the tunes with vocals and over-the-top cheesy lyrics.Don't let the fact that this movie is one of the later-era spaghetti westerns and has James Garner in it fool you into thinking it's one of those goofy comedy type of Euro-westerns. There are a couple of funny lines in the film, but overall it's very serious and tragic with plenty of violence and action. This is not a happy film at all, which is definitely a good thing in this case.The production values and acting are above-average for a Eurowestern. James Garner and Dennis Weaver, both of whom have usually portrayed happy/funny do-gooders in American films and television shows, do an excellent job here in their roles as seriously bad people. Casting them for those parts was probably done for effect. It reminds me of how Leone used Henry Fonda as the evil character in Once Upon a Time in the West.This is one that is definitely worth seeing if you are into Euro-westerns.

I must confess to "umming and ahhing" a fair bit as to whether I really wanted to see this film. I've got nothing against James Garner, but he just didn't say "spaghetti western protagonist" to me. He doesn't have that certain "kill" look in his eye (think Eastwood, Nero, Gemma, Steffen et el). However, having always respected Howard Hughes' "Essentials" book, this was one of the few films that he had covered so far that I had not seen - and his recommendations had generally not disappointed. I am really glad that I did dispel these initial reservations, because Man Called Sledge makes great viewing from beginning to end.Luther Sledge (Garner) is introduced to us as he enters a bar with one of his cohorts. Leaving his colleague to participate in an ill-fated card game, Sledge reunites himself with his lover Ria (Laura Antonelli). After a night of passion (lucky man!) he is woken by the sound of a gunshot. He returns to the bar to find his partner dead, and forced to defend himself against the killers. An old timer witness (John Marley) confirms that Sledge has merely defended himself.Sledge and the old timer soon cross paths again, with the former assuming that he is being tracked due to the price on his head. However, it soon transpires that the old man has been spying on a delivery of gold. This gold is transported by a posse of armed guards and stored in a top security prison overnight. The old man recounts how he spent time in the jail, with his cell sitting side by side to the safe.The lure of the gold is too much for Sledge, and he is soon devising a scheme to get his hands on the horde and allow him to settle down and lead an honest life with Ria. And what better way to get access to the treasure than to find ones self imprisoned in the jail......A simple yet highly enjoyable idea for a story, with double crossing aplenty and a cracking soundtrack. If truth be told, I am still not completely sold on Messrs Garner and Weaver in the spaghetti genre, but the film itself more than makes up for such minor grumbles. There are some great scenes, with Sledge's wilful imprisonment (with some very shady characters forming his prison mates) a particular highlight.Highlighly recommended, and grasping at a possible "must view" berth.