Terrific, well paced thriller with William R. Moses,the Ken Melansky on the old Perry Mason television series giving an absolutely riveting performance as a millionaire psychopath who abuses his wife to no end causing her to make telephone calls to a radio therapist.When he walks in on one of her calls, he chases her out of the house and she is fatally struck by a car while trying to flee. Moses is outraged and vows revenge on the therapist, really believing that she caused his wife's death.Moses goes into full acting mode here. He creates situations which totally destroy the therapist's life, marriage, and ultimately leading to the death of the good doctor's wife. In the interim, he has paid a hooker to have a relationship with the husband, tape records certain messages and sets a scheme in motion that can only lead to absolute mayhem and destruction to all those who come within his orbit.Moses has never been better. He is a cool, calculating maniac who will stop at nothing to achieve his objective. He is sinister all the way and even has police suspecting that the therapist killed her own husband!This is a very well done movie and is highly recommended.

A radio psychologist Dr. Liz Manners who offers relationship advice, finds her own life is in crisis, when she learns that because of her career ambition, her husband is having an affair. This has suddenly all come up to the surface, as one of her caller's obsessive husband has sworn revenge against her. He believes Manners drove his wife away from him and when trying to flee his controlled loved, she's killed by a passing car. So, three months have past and he goes by the name of "Ken Malansky" to gain Manners' trust. He pretends to be interested in her business, but secretly he wants to destroy her life in the process.Why do I put myself in these situations of watching these bland made-for-television Lifetime presentations? I guess I'm hoping for something special. "A Lover's Revenge" keeps one watching, but it just never pays off, as it moves onto one lifeless and very, very contrived scene after another. I can't knock that it's not competently made, but this cookie-cutter thriller just doesn't generate much suspense and becomes too predictable in its implausibly elaborated make-up and over-explained details. Routine dialogues motivated by a bloated script seems to be building up something that never takes off. One real nagging element was how clueless the central characters are about what's really going on. The conveniently twisty story is pure trash at heart, glossed up by slick and polished filming techniques. The distant direction is simply going through the motions and falling into forced patterns. Some absurd actions that do occur are eye-rolling stuff. The tenable performances are particularly good, however William R. Moses was something far less then dominating as the psychopath. There were two choices; having hammy fun or playing it with subtle sinisterness. He was somewhere in between, but never could manage to pull it of convincingly. Alexandra Paul is adorably strong and potent as Dr. Liz Manners. There is capable support in the likes of Gary Hudson and Gabrielle Carteris.It'll pass the muster if your looking for something comfortable, but I wouldn't go to big lengths to see it. Passably watchable.

The big, expensive "blockbuster" movies are like ordering an expensive steak or lobster - often worth the stiff price, but sometimes very disappointing. You have the "Casablancas," the "Titanics," but also the turkeys like "Heaven's Gate" and "Bonfire of the Vanities." Sometimes 9- or 10-star results, and other times barely worth one. But films like this one - the inexpensive, TV production can be like getting a hot dog or roast beef sandwich at the established neighborhood diner - nothing spectacular, but usually reliable. William Moses, the male lead here is a good-looking, capable actor, who has played the "good-guy-next-door" to perfection. In this story, he does a workmanlike job of portraying a man who is a psychopath, a sociopath, and just about every other type of "_______-path" a person could be. His target is played by Alexandra Paul, an old hand in this genre, always having friends, neighbors or acquaintances determined to kill her, with her completely oblivious to this for the initial 75% or so of the film. The performances are credible, the performers attractive, and this is the kind of picture which will not go into anyone's hall of fame, but provides a couple of hours of good entertainment - and if your viewing should be interrupted during the show, the intricacies are not sufficient to spoil your understanding of what's going-on.

I can be short; Although the plot is in itself not that bad this movie is. Here and there they try to give a little suspense to the viewer, but by giving away all the clues in the first part of the movie, the viewer is left with nothing more than just watching the average B-movie acting performances. The jump from a thriller story to a detective story I do not understand and does not help the quality of the movie. The suspense got further killed, by the plot lines. Every time the killer made another move, he had to say the reason for doing so. If you like some time sitting in front of your television without getting satisfied, you should watch this movie. Otherwise I recommend to stay of it.