Was this written by 1 script writer or 4?This is an enjoyable movie, particularly for the lads (because there are lots of scenes of young nymphets in skimpy clothing).It's not about a major crime (that's just a back story). It's about each of the 4 young ladies blaming themselves for their own poor decisions in life and then reconciling with them. The movie was designed to provide sequel since the ending sees the all flying off the New York together for more adventures.I thought the actresses and actors did a fine job. The wardrobe was just right and the reverse editing style reminded me on Run Zola Run.

What a load of rubbish!The only possible plus points to this film could be sexy scenes and sexy dialogue because the themes in the film constantly come back to sex, lesbianism and people in their underwear - however, even that is certainly not a positive because those sex scenes, dialogue and lesbian kisses are presented/directed so badly that they are not sexy or interesting in the slightest! There was a total lack of sexiness just a lot of boredom.In addition the rest of the film is total crap: the plot is muddled beyond belief and appallingly weak, the dialogue is pathetic and inane, the acting is bad and the direction and film making skills are lacking in all departments. Noel Clarke should stick to acting in supporting roles. Sad.

Been a long while since I saw a movie that was fun to watch and also original. I've had it with all the Hollywoodfilm clichés. I gave it nine stars, not because it's a classic. No, it isn't that brilliant. But because I finally got the entertainment that I like but without the Hollywood clichés. Maybe I've seen too much American movies and should I see more European productions.I got a message that I should submit more than 10 lines for a review? Why? If the word"s "fun" and "Original" tell the world what the movie is about, than that's enough isn't it? Well it that case something about the actors. They performed really well. The characters are well done, really convincing and realistic. Likeyour girl next door. My compliments.Have I've reached my ten lines yet? I'm no good in counting. Well let's post it man. It says congretulations, so finally I've done something good in live! But I've to submit it it again. All these safety things.. so American :-(

Considering how awful Sex & The City 2 was, I liked the way that 4321 mimicked it in its marketing campaign because it was quite clever in the way it offered a different story of 4 women in the city. However the comparison ends there as 4321 is a sort of crime caper where 4 women get caught up with a low-level group of thugs who are moving a bag of stolen diamonds. The story starts with the 4 girls together in a coffee shop before they go on their separate ways for a couple of days – we know the point where they will come together (on a bridge, bloodied, with guns and diamonds) and the coffee shop is the point where we split and follow each story separately, each time flashing back to start again on a different girl.As a structure it works pretty well as each tells a semi-stand alone story while also linking up (a little) with the overall whole and, while not an original idea, it is one that works well. On top of this I thought joint directors Clarke and Davis did a great job with the style of the film. The 4-way split at the coffee shop looks cool and generally the film has a glossy look and feel to it despite where it is set – it isn't high art by any means but it allows the film to retains Clarke's usual "hoodie" target audience and perhaps expand to those just looking for a glossy caper.OK, so that's the good out of the way, now let's talk about the bad. The plot(s) are mostly terrible and they are backed up with a script that is full of clunky unrealistic dialogue that just hurts my ears. Although the film sounds good in a tagline summary, the reality is that all of it is poorly written and filled with convenient devices, coincidence and contrivances that rob of it any flow. The side-plots make up the majority of the film and it isn't really that each of the four strands "come together" so much as 3 of them fill time and the fourth one contains the majority of the diamond plot. This puts a lot of pressure on the side plots and mostly they are nonsense – although young boys may get a kick out of the amount of toned young flesh on display – in particular the most brazen of the 4 characters is a lesbian (seemingly for the sole reason of getting some girl/girl action into the mix). The dialogue is the sort of stuff that probably looked great on paper with its tough monologues and swagger but when it starts being spoken it just doesn't work. It doesn't help that the cast are not that great.It is not that they are bad but just that they are let down here and, without any material to work with they match the base elements being asked for. Lovibond mopes around the place without any reason – the film needs her to be the heart but neglects to give her much to help her (or indeed have any interest in substance or heart) so she just looks depressed most of the time. Egerton is leggy and blonde and that is what the film plays to. I did quite like her segment though, even though it was also nonsense. Roberts is quite fun – although I think that is because I found her cute rather than anything else. Warren-Markland overplays her aggressive sexuality to the point of being tiresome – sure she has a great body (the film shows it to you lots) but her character is annoying and she offers nothing to counter that. The various Clarke regulars are all here doing their thing (whether hoodie or parent) while cameos from Ben Miller, Kevin Smith, Mandy Patinkin and Eve mostly seem to have been a "branching out" or marketing-friendly piece of casting from the point of view of Clarke getting to a wider audience.For a British film, 4321 has aspirations in the style and energy it has and, in fairness it does work well in this regard. However once you go even a hair below the surface, there is nothing else to be had as the writing is weak and the substance is lacking. A shame but ultimately this great looking film is essentially a messy plot and the only function it serves is to Clarke as he attempts to expand his reach and career. The conclusions leaves the door open for a sequel (54321) but that won't happen.