I'm convinced that since none of these players is ever likely to be cast in a film adaption of the Bard's work, the chance to show off some classical training with some lines from As You Like It and other works. This film concerns a serial killer who has reappeared and who does his best work at 2:13.Mark Thompson stars and wrote the story which makes no sense at all in terms of who the culprit is. Thompson is a cop/profiler who has some heavy duty childhood issues he's dealing with and the killer struck in his childhood.Why 2:13 is of significance if you care to watch this surprisingly dull slasher flick is up to you.

I'm not exactly sure why I picked this from all the Netflix horror movies, I had never heard of it and the cast looked unknown (with the exception of Kevin Pollak). Sometimes these turn out quite good, but this one didn't really. It was somewhat enjoyable thriller, but there are goofs and stylistic choices that drop the score (a lot).I'm gonna go straight to the bad stuff. The script and what you'll see on screen don't really match. There are flashbacks of events that seem to happen somewhere between 50s and 70s. The style of this movie looks as if it's from the 90s. Yet the movie is made just a few years ago, so you're not really sure when it takes place. People appearing in the flashbacks and current time age differently. Two people, who are younger and older in flashbacks, appear the other way around in current time. So it's really confusing, I don't know what they were thinking, it's mind boggling. Some people don't seem to have aged at all in a good 20-40 years.The movie has a big 90's vibe to it, saturated colors, filters, TV series style lighting. Even the cast looks 90's. Kind of like a bigger budget porn movie. Quite weird comparison, but that's what I was thinking a few times. The cast looks like they'd be on a reality show rather than being believable cops - or something, there was something lackluster and even campy in the styling. There's also a strong L.A. feel to it - in a bad way. Kind of like the "Melrose Place" cast had a get together and they made a serial killer movie.All of the above aside, the story is somewhat gripping and the acting is quite good. Camera work is OK, editing is OK.People have been mentioning movies like Seven, Silence of the Lambs in their reviews. There is a serial killer, but these movies have absolutely nothing in common apart from that. This could be an extended episode of any cop/crime series from L.A. It's not really horror, there's a few gory scenes, but other than that it's your common crime series stuff.I'm giving three, because something kept me watching and even enjoying a bit. I'm still not quite sure why I kept watching.

Nothing adds up, no logic, bad acting. Somebody had a very bad day when they decided to release this crap.Actually quite an original well done movie - Not! The acting was poor, on a level way beneath poor actually, in occasions. It was advertised as being stomach churning but I'm afraid that it was far from it, at times it was more like a comedy than a thriller.... The plot was so bad and had no logic at all, the personal relations between leading parts began but was left with an uncertainty as if the writer got bored with them and then decided just to get rid of one of them by another murder, which left the other one completely indifferent - "funny" love-story. The killers reason (or motive) was quite far-fetched - exaggerated is an understatement. And for Gods sake; how could the killer who was much younger than Spivey have been a grown-up at the time he met the young Spivey at an age of 10? So many of these little oversights made the total impression of a great muck-up.

I watched this because it looked decent from the reviews pasted here and a bit of internet hype I saw but sadly it was nothing but the usual Hollywood tripe passed off as something original. The usual demon haunted policeman chases the usual demon haunted perpetrator using the usual 'unusual' method to come to the startling conclusion as to who the perp is. The contrived and artificial plot is nicked from better movies such as Seven, from which a large part of the plot is swiped, and is overly complex and unbelievable. Especially in the way the film gets it's title and the Shakespeare plot line and when you consider how old everybody is supposed to be in the film. I can't elaborate without spoiling it but consider how old 3 of victims, perpetrator and the main police character are supposed to be and the film makes little sense. The dramatic conclusion to the film, which also tries hard to emulate the tension of Seven, lacks any real drama and just seems an afterthought as if they thought 'we need some really stupid way to end this film?….I know!'. Overall I rated it 3 but probably was too generous. A very poor addition to the psychological thriller genre and one which tells us that perhaps this particular avenue has been trawled to death now. The FAQ asks 'is it gory' and yes it is a bit but also asks 'is it scary' and the answer to that is NO it isn't. It's just plain daft and about as believable as an episode of Cracker.